Basically,

Fuck,

I threw out my fucking left shoulder. The fuck. I mean, fuck!

It’s just a normal muscle strain, not like the insane neuro-psycho-musculo-pendejo problm on the right, which oddly was fixed almost completely, after a year, by stretching once.

But damn, it’s a bad one. I am unable to fucking do anything without swearing like a fucking longshoreman, and a few times I just had to sit the fuck down and feel sorry for myself before I could get anything done.

If I stand in a position that’s somewhere between “cricket bowler” and “drunk flaming gay guy waving at you” it doesn’t hurt.

Here’s to the thing going away in a day or do so I don’t have to [redacted] [redacted] from [redacted] out of sure frustration.

Anyway I’m driving Bob to the VA for an injection today, so at least I know I don’t have a 40 year old unkillable bacterium in my eye trying to blind me, like him.

The fuck, though. FUCK.

Pilaf with light sweet crude

No, we’re not running out of rice in the U.S. We are particularly not running out of rice in California, where we grow it. We’re also not running out of wheat. If the Costco isn’t selling you rice, they probably messed up their order and some junior manager is lying to you about rationing.

The price of food is indeed high and rising. People in less fortunate countries are rioting because they can’t afford to eat. Here in the U.S., poor people are being squeezed. People like me don’t even notice because we make good money.

This is a good time to think about what you eat. It’s an even better time to take a good look at where the food comes from, how it’s produced, and how it’s distributed. As usual, the root problems are about money: farm subsidies, water subsidies, tariffs, big agricultural companies who control all of those things, and bad government all over the world.

And in the U.S. particularly it’s about oil. Because you can’t grow food the way we do without artificial fertilizer, which is made of energy. And once we have all that bounty of soy and corn, we have to sell it somehow. And so we convert it into ethanol and celebrate our new energy, free from foreign oil! …that’s made from foreign oil. And up go the grain prices.

For me the threat is not rice rationing at the supermarket. The threat is endless war to keep our own food prices low with cheap oil.

Funny how it comes back there every time!

Good Writing, #1 in a series: Virginia Woolf.

  1. From the essay “Professions for Women”:

    But to tell you my story—it is a simple one. You have only got to figure to yourselves a girl in a bedroom with a pen in her hand. She had only to move that pen from left to right—from ten o’clock to one. Then it occurred to her to do what is simple and cheap enough after all—to slip a few of those pages into an envelope, fix a penny stamp in the corner, and drop the envelope into the red box at the corner. It was thus that I became a journalist; and my effort was rewarded on the first day of the following month—a very glorious day it was for me—by a letter from an editor containing a cheque for one pound ten shillings and sixpence. But to show you how little I deserve to be called a professional woman, how little I know of the struggles and difficulties of such lives, I have to admit that instead of spending that sum upon bread and butter, rent, shoes and stockings, or butcher’s bills, I went out and bought a cat—a beautiful cat, a Persian cat, which very soon involved me in bitter disputes with my neighbours.

  2. From the essay “How it strikes a contemporary”:

    As for the critics whose task it is to pass judgement upon the books of the moment, whose work, let us admit, is difficult, dangerous, and often distasteful, let us ask them to be generous of encouragement, but sparing of those wreaths and coronets which are so apt to get awry, and fade, and make the wearers, in six months time, look a little ridiculous. Let them take a wider, a less personal view of modern literature, and look indeed upon the writers as if they were engaged upon some vast building, which being built by common effort, the separate workmen may well remain anonymous. Let them slam the door upon the cosy company where sugar is cheap and butter plentiful, give over, for a time at least, the discussion of that fascinating topic—whether Byron married his sister—and, withdrawing, perhaps, a handsbreadth from the table where we sit chattering, say something interesting about literature itself. Let us buttonhole them as they leave, and recall to their memory that gaunt aristocrat, Lady Hester Stanhope, who kept a milk-white horse in her stable in readiness for the Messiah and was for ever scanning the mountain tops, impatiently but with confidence, for signs of his approach, and ask them to follow her example; scan the horizon; see the past in relation to the future; and so prepare the way for masterpieces to come.

  3. From the essay “How should one read a book?”:

    Yet who reads to bring about an end, however desirable? Are there not some pursuits that we practise because they are good in themselves, and some pleasures that are final? And is not this among them? I have sometimes dreamt, at least, that when the Day of Judgment dawns and the great conquerors and lawyers and statesmen come to receive their rewards—their crowns, their laurels, their names carved indelibly upon imperishable marble—the Almighty will turn to Peter and will say, not without a certain envy when he sees us coming with our books under our arms, “Look, these need no reward. We have nothing to give them here. They have loved reading.”

Husker Du

When I heard them it was love, immediately.

On the printed page without music, their lyrics aren’t that great most of the time.

The records sounded awful. Volume all over the place, buried vocals, and a thick dumb thudding drum sound that one engineer described as “golf clubs hitting a frozen mattress.”

Live, you couldn’t hear anything but Bob’s guitar and it sounded like a power tool.

But they had HEART. I still can’t hear most of their songs without singing along. The middle of the 1980s didn’t have much heart. Slick pop, fun dance music, loud punk and industrial, and self-conscious jangle pop were all good in their own ways.

Husker Du just sang about how they felt, their horror and joy, their beliefs and fears, without any pretense or immature cynicism. And we sang along because we felt it too.

Thanks, guys.