It’s actually Thursday, July 7 at the Mouse of Blues. Anyone else going?
Tag: music
He needs someone to adjust his monkey.
Stuart Pearson ( changeng and http://www.stuartpearson.net ) played the opening of the new Diedrich on 17th. He brought Carlos (above), his new drummer, who is rock steady. He also did the Lady in the Radiator Song from Eraserhead and “Venus in Furs” by the Velvet Underground. I’m glad someone understands that “covers only” doesn’t have to mean “the worst of the Eagles on a god-damned loop, forever”.
The new location is okay except that the patio blows and the bar inside has no bar railing so it’s like the tortures of the Inquisition sitting there. Was nice seeing Sandi; her gigantic Nightmare Before Christmas tattoo array is colored in now and it’s fairly spectacular.
Rakata bay bay, rakata bay BEE.
One of my favorite albums ever is Morgan Fisher’s Miniatures. In 1980, he asked people for one minute long audio pieces, and compiled them.
The cast includes Pete Seeger, Andy Partridge, Ralph Steadman, Half Japanese, the Residents, and Neil Innes and his kid singing “Cum On Feel the Noyze”. Steadman sings a John Donne poem outside in the rain while playing some kind of dilapidated pump organ. It’s one of the few records I can without hyperbole call unique.
My favorite track is from jazzman and bon vivant George Melly, who performs a Kurt Schwitters dada poem. He claims that reciting this poem to some muggers once saved his life. It’s not hard to hear why:
George Melly – Sounds That Saved My Life (mp3, 1.2M, 58 seconds).
It was a pain to get this. The CD version of the record has the tracks grouped five or six per CD track, and I had to use Amadeus II to perform some rough ‘n’ ready sound surgery and then reencode it. Good thing it’s just Yelled Vocal Quality.
Another lost 80s gem
No, not the one I’m listening to right now although that qualifies too.
Stan Ridgway and Stewart Copeland – Don’t Box Me In (from the Rumblefish soundtrack), which seems to be out of print except in live versions.
A minor classic. Copeland without Sting being annoying, and Ridgway showing what he could do away from Wall of Voodoo.
Mostly for rpkrajewski
Minutemen – Ain’t Talkin’ ‘Bout Love, from Double Nickels on the Dime. “Mr. Robot’s Holy Orders” is also missing from the CD. If you want to be a completist (who, me?) you need the vinyl, too.
Hurdy Gurdy guy in action
“Of course, things are only funny to me once they become annoying to others, so by the time I did “You Give Love A Bad Name” on accordion and monkey, I was happy again.”
I think I’m really going to like changeng if this entry is any indication.
Hurdy Gurdy Guy update
He’s also got an LJ now! changeng is him.
Hey everybody!
Stuart Pearson here. The guy with the slinky from http://www.stuartpearson.net . Summer is here and everyone seems to be shiny. Are you shiny? Here’s a test – face your mirror and squint your eyes so that you can barely see yourself. Do you see a glow around you? I bet you do – you’re a shiny kinda person.
There’s a few schedule changes coming up, so if you were planning on witnessing the drunken bachanalia(?)my shows are increasingly becoming, check the changes below. To read how odd they are becoming, go to my website and read my new blog “Tales From The Coffeehouse”.
Also, wednesday night will witness the debut of my new drum machine – it’s a 12 inch tall motorized monkey that bangs cymbals. Along with the toy piano I dragged out of a dumpster last week, I’m now rocking harder and slamming out the block rockin’ beats. My monkey needs a name! Please send suggestions to chang.eng@verizon.net .
Also, I need new photos for my website! I see people taking pictures of my nitwittery, so please send me some! I’ll give credit under each photo and post your website addy if you wish.
ahh SHIT, i liked this guy
Met him on their first tour in 1985. I’d really loved Say What You Will, Clarence: Karl Sold the Truck, especially “Religiavision”, and then they put out Made to be Broken
and wow, had to go see them. They played the Anti-Club and maybe 10 people showed up. Oddly I kept meeting people years later who’d been at that show. Soul Asylum was a really amazing band around that time; loud and passionate. They did great mashups, too. I particularly remember them doing a mash of Gang of Four’s “Damaged Goods” with Prince’s “The Cross”.
Unfortunately by the time they started to do really well they’d changed their musical style almost completely and I didn’t enjoy it. I liked everything up to Hang Time, but when they got into that “Runaway Train” phase they totally lost me.
Weird irony that Karl got throat cancer. I’d expected Dave to croak (literally) from that, the way he destroyed his voice.
Sorry, Karl.
Wonderful/Terrifying Request
Boy I’d like to see this, I hope they find someone. Spreading the word, here. Also I love the phrase “fire friendly venues”. But I’d really love to see Blixa do some solo stuff.
From: mobilization@mobilization.com
Subject: [Mobilization] Blixa Bargeld needs a Theater Space for Destroy 5 West Coast tour: OCT 7-8, OCT 14-16
Date: June 21, 2005 2:52:09 AM PDT
We are looking for a nice seated theater space for the 5th “How to Destroy the Universe Festival”. It will take place in Los Angeles, San Francisco, Portland and Seattle. Blixa Bargeld has been very kind in agreeing to perform a very rare appearance of his solo work here in the United states. He also says he will be performing his pieces in English. You can find samples of Blixa’s solo work at:
http://www.blixa-bargeld.com/proj/rede.html
The festival will also include performances by F-SPACE. The other artists are yet TBD. We are accepting applications for the festival now.
If you have any venue contacts, please let us know. Blixa has requested the event take place in a non-traditional venue, different than the typical rock club setting. Fire friendly venues would be great for F-SPACE, but are not required.
Hey explosivo!
My copy of The Vanity Project just shipped from Amazon! Woohoo!
I am full of anticipation. Signed, BNL fan in the OC.
