In Praise of Hipsters

First, for those of you not stuck in the pop culture tar pit, a definition. Hipster: a youngish person, comfortably middle-class, with a strong interest in current popular music and a defined set of tastes in fashion, food, and other cultural matters. Unlike some youth cultures, their look and tastes have been static for a long time. A lot of them look like their long-ago scenester ancestors from the 1980s.

nice scarf asshole
A typical example in the wild

The word is universally an epithet. Everyone hates these people. Let us recount their sins:

  1. Privilege: predominantly white middle to upper-middle class college students or graduates with disposable income
  2. Classist: ironic use of workers’ clothing, self-conscious love for bad cheap beer, endless mockery of white trash culture, disdain for culture genuinely enjoyed by lower-class white people, “ironic” appreciation that simultaneously others lower classes while appropriating their culture.
  3. Borderline racist: Blaxploitation obsession, appropriation of hip-hop and  soul music culture, hilarious afro haircuts
  4. Pompous about pop culture: See the Pitchfork website for examples
  5. Politically hypocritical: wealthy kids with carefully chosen causes unlikely to affect their privilege
  6. Trendy fashion clones
  7. Hypocritically rejection of their own culture: they claim to dislike all of the above.

Wow, what a bunch of assholes.

They’re partly exonerated by #7. Much of the hating comes from their own tribe, for obvious reasons. “It takes one to know one,” and almost nobody outside the group even cares. Exceptions are: people older than 30, fashion-hating music nerds, people with strong feelings about social class, people who feel left out of a scene, doormen at nightclubs, people who would like to have a lot of fun and can’t afford it, and people who are very focused on art and taste and never like what a mass of people are doing.

Since it’s very important that everyone know my opinions about youth popular culture, I present a revolutionary alternative: these people are great.

I grew up with high culture. My family went to theatres, museums, classical music performances of all kinds, opera, dance, and that entire spectrum of stuff that meant being quiet and dressing nicely and appreciating a dead person’s art.

These events are overwhelmed with wealthy and old people who will drive you crazy. Old ladies snap and unsnap huge handbags, remove candies, rustle wrappers, and bray at each other. Ignorant people clap in the middle of a performance. A hard of hearing couple explains every new thing to each other. Only a few people, it seems, are there for the art. They get grumpy as hell. But it’s all tolerated, and everyone treats these art-ruining cringemonsters with respect. Because they’re paying for it all. Their names are on all those plaques on the seats, the foyers and halls, entire wings. Whatever their failings as fellow connoisseurs, they’ve made this business possible. The true fans have bought season tickets. Great! Not nearly enough.

That’s hipsters. Tiresome, ignorant, loud, hypocritical, painfully classist, boorish, overbearing, and necessary. To all my friends,  true music nerds, homebrewers, urban gardeners, cyclists, ukulele players, cult film aficionados: you’re stuck with these people and you should be glad. Without patrons of the arts, we’d all be stuck with forced unironic appreciation of not very much at all. You can’t fill a concert hall with the true and pure fans, or sell enough craft beer and fixies to make it possible for the determinedly unfashionable to enjoy them.

Here’s to hipsters, who bring us all good things.

Party Girls at Gatsby’s, or: Avoid a Modeling Career

Wrong number email and text messages are a joy. I’ve had email addresses with just a first name or simple word and received everything from a detailed thank your for a weekend-o-sex to a nauseating consumer complaint about a yeast infection remedy.

Sometimes it’s just Kismet, though.

Years ago I got a mistaken invitation to an actor’s birthday party. He’s a B level guy who’s been in two good movies.

It was a decade birthday and they’d gone all out. The venue was an estate in a rural but aristocratic setting.

The invitation presented necessary information: location, parking instructions, notes about food and pets for those with allergies, etc. Directions were given for those driving, arriving by airline, or flying in on private or chartered planes to the closer local airport. Hotels were listed for those staying multiple days in the area.

And then the kicker. The last set of “resources” was a list of local escort agencies, followed by modeling agencies including the nearest local branch of probably the world’s best-known modeling agency.

I’ll set aside for now my opinion on someone who puts prostitution options in his birthday invitation. Plus, for a call girl in Nowheresville, a gig at B-level celebrity’s big shindig is at way better than the usual.

But let us pause to consider the life of those on the roster of BigModelingAgency in a town that isn’t even Sacramento, much less New York. Young and driven, aiming for the bright lights and adoration of high fashion, always the most dazzling kid in school, and pumped with excitement at this new opportunity to move up with the reknowned agency… …and you get those phone calls. What the hell do you do? What happens if you do, or if you don’t? Is this job explicit, or do you just find out at the party, or afterwards? What’s the role of the agency here? What are the stories, and what do they sound like from each of the parties involved? Holy crap!

So that’s the wrong number email I remember the most, not because of the weird celebrity connection, but because of that window into the world of an aspiring fashion model out in the sticks. It is, to paraphrase David Foster Wallace, a double-handed forehead clutcher.

A Regular Guy: For Peter Brayman

I’ll start by asking you as a personal favor to read this whole thing. I know that the Internet is TL;DR, but it’s important to me that everyone read this. Thanks.

This is about my friend Peter Brayman.

Pete grew up in a small rural town in New York. He was a New York State firefighter EMT, an amateur radio operator, a graduate of SUNY Buffalo, and a computer nerd. It was in that last capacity that we met. We were both “Guides” on America Online, a half-paid half-job, half cop and half tech support. Pete and I hit it off immediately. We shared ham radio, computer nerding, and medical jobs. Partly because of the medical background we shared also a dark, dark sense of humor: the slang of those who see death and injury, the shocking little jokes, the deadly funny banana-peel stories

We were close friends for years. We spoke daily, sometimes almost all day over instant messaging. After our AOL activity, we went into parallel careers connected to the Internet and its technologies. We helped each other out learning new things, gave each other tips and leads, hosted each others’ projects. I can think of at least five running gags that we shared over the years that no other person on Earth would have appreciated.

Our closeness was deepened by our differences. I am verbal, a natural writer, knowledgeable about many varied things, judgmental, snobbish, hypercritical of myself and others, and sexually frustrated. Pete was a terrible speller, very focused in his education, tolerant, accepting of others’ faults, and successful with women. Our politics differed, but he listened politely to my little rants and never offered anything in response but what we shared. Especially in those days I flew into little rages too often, and his anger was rare and not much spoken.

Pete died too young, three years ago today. He left a fiancée, a beloved uncle, some good friends, and me. It’s a cliché to say that you think often of someone who’s died, but it’s true in this case. Frequently I want to share something with him, or think of something he’d say right now.

So far, so conventional. Why am I writing an everyday story of an everyday life?

There’s something else about Pete that everyone noticed first. He was born with a dreadful disease called Neurofibromatosis-2. This causes tumors to grow on nerves and is uniformly fatal. From childhood he knew that he was permanently ill and that this could not get better. Since his mother was affected with the same disease, he could see his future in real time.

Pete had occasional surgeries his entire life, ranging from a trim of some lump on an extremity to invasive brain surgery. He lost mobility, became deaf, lost use of a hand, and suffered through another hundred failures of the flesh. Because of deafness and the effect of the disease on his appearance he appeared to be mentally handicapped and was treated as such. Past a certain point in the process he was clearly in discomfort all the time.

Because he was on full disability, he could not work full time, although he had a successful consulting business. Too much success and he would lose his medical benefits and therefore die. Survival required subtle skill with government paperwork. As with other handicapped people he had to fight every social obstacle to those with mobility and hearing problems.

On top of all this, Pete had a family that was unworthy of him. I won’t go into details, because he wouldn’t, but I am to this day gravely disappointed in everyone except his uncle, who is a fine man.

Now here’s the thing: Pete lived an ordinary life.

He achieved as an EMT and a college graduate. He worked hard and well at a technical profession. He dated a few women and was engaged to a wonderful one. He had moderate conservative politics and moderate religious views. He liked ice cream and loved Disneyland. He was proud of being a firefighter and embarrassed at his bad spelling. He was, unlike all my other friends, a moderate and ordinary man who sought out and led an uncomplicated life.

How the hell did he do that?

His attitude toward life’s giant sack of bad luck was perfectly sane. He didn’t deny the disease or pretend to others that it was okay. Everything about it was monstrously unfair and awful; it hurt; it made him feel different and separated from others; it frightened him. There wasn’t any sentimental heroism in Pete. He didn’t give out false hope or encourage others to do so. When he was frustrated or scared or in pain he would talk about it honestly.

Somehow he also avoided making the disease his life. A typical conversation with Pete was honestly about ice cream or car crashes or the hilarity of AOL management without any bit of that awful darkness leaking through. He was genuinely sympathetic to my own life problems. Pete never pulled the “my life is worse” card even though perfectly entitled to do so. He would help others and do nice things for his fiancée in the manner of any other guy with good values.

Despite a ridiculously awful childhood, a loathsome and deadly progressive disease, social barriers,  and every bit of crap luck that goes with any other person’s life, Pete was an ordinary guy with a good heart. His natural resilience made you forget in a moment that you were talking to someone this profoundly unfortunate; it was just Pete. It wasn’t heroic, or some feat of overcoming to be patronized by the sentimental, or a great success at denial. He recognized and acknowledged the huge disaster and at once led a life that paid no rent to Death.

Pete just wanted a regular life, and he worked harder to get one that anyone I’ve known. I won’t insult him with a romantic picture of his life and say that he won. The disease won and tortured him to death in his youth. But here’s what he knew: a terrible misfortune is no reason to turn your life upside down.

So here’s to Peter Brayman, an ordinary guy and a great friend. May we all come this close to winning.

END OF YEAR LIST: OUR BIG 15!

15. Joe Mantegna’s facial hair. Just squeaked in this time!

14. The five pound jar of Nutella.

13. Drakkar Nöir. The Baku metal scene had its high water mark in the late 90s, but nobody told these guys the grim grind party was over. We especially liked “Shashlik Midnight” but don’t stop before you get to the hard-bashing Turkic reinvention of “Little Wing.”

12. Kevlar’s. Last year this New Culver City treasure was a top 10, but since star pastry chef Lucas DeBeers defected to a revitalized nearby IHOP the brioche hasn’t been the same. Still the place for a weekday brunch in the Furniture District.

11. Dressing, The Orgone Trail. If you haven’t seen Dressing live, you’ve missed a projected screen game of Myst and a lot of M&M throwing, but not too much music. Where they shine is on record, and this flaming puu-puu platter of psychotronic gamer nostalgia will mark 2011 more than any number of on stage beach furniture auctions.

10. The oxygen bar at Raoul’s. Like it or not, the number of people in the scene “ironically” huffing is rising fast. Whether it’s just a giggle with a palmful of marker ink or a full gold paint overnighter, Raoul’s is the one spot to get a lung rinse without a crowd. Be safe, kids. The enamel kills even if you’re just joking.

9. Punch & Judy at Patch Park. Sunday morning isn’t just IHOP and regret now. Those in the know drag themselves down to the Merkin District for the marionette beatdown that’s too good for kids. Remember to stay in the back few rows and keep the smoking down or the whole delicious business is done.

8. The Beatles. Seriously!

7. Pressed Turkey. Remember brining and whole frying? Okay, we laugh now, it was dumb. But it’s not just Miley Cyrus and the Gypsy Kings ordering those big turkey presses this year; we’re all in on the act. Try David Lee Roth’s “Mushroom Mashup” version from August’s GQ if you dare!

6. The Barry Gibbs. Four of the same Bee Gee, singing nothing but classic Motown Soul. Only in this town, only Wednesday nights, and only at the IHOP on Technology Parkway West. Look carefully and you’ll see a “unique” celebrity guest most nights.

5. Virago State Prison Ballet Company. Probably the only maximum security dance company in the world, and certainly the best. Don’t mind the razor wire, but stay for the limeade and the heartbreakingly beautiful annual production of The Nutcracker Suite. Remember: there but for the grace of God the show must go on.

4. Balalaika Jones, Nightmares in Flax. We knew him as Fabrizio from the IHOP in the Lamination District. The whole world knows him now as the guy with the orange stuff on his balls. The two worlds meet in this two-fisted doubleheader, full of city pride and suburban swagger and that simpering cough we all knew would someday be the signature sound of a star. We want to put it on the list twice, and not just because our own Advertising Manager Jennifyr DeBeers sits in on percussion for two tracks.

3. AAA Art Supplies & Accessories. Don’t be shy, admit it. A lot of us end up in the Solvents District on Friday night, and there’s no shortage of places to to grab a quick “art break.” Tim and Broennwynn will remember your brand and color and even your bag size after just one visit, and their spacious alley is perfect for “jamming.” And don’t forget, Raoul’s is just a quick stagger west!

2. Badwater Grill. Just when the Dhaka was getting a little too damp, the latest “environment spot” hit our spot this year, spot-on. Lance DeBeers took this former IHOP on McMansion Parkway and turned it into a 130-degree Death Valley ultra-lounge that has the whole scene sweating like happy pigs. If you can brave the Sebum District after midnight, reserve the Scotty’s Castle table and order a Gatorade keg.

1. Pfft Gallery. Tucked into the armpit of the Resistor District where I-400 dead ends is the epicenter of an artistic earthquake. By now the phrase “infrastructure expressionist” sounds tired, we know, but when you see those blown-out transformers, bent girders, and huge jagged sheets of polyurethane, you’ll get what everyone from the Times-Record-Leader’s Ashok DeBeers to Christina Ricci already got: broken stuff. As cynical as we are here, we’re overcome every time we visit, and not just because our own Circulation Assistant Ashlii Redacted is the paint can girl. This year’s #1 and last year’s too. See you there!

 

 

 

 

 

 

 

There are certain things that enter the minds of people even without one.

The andies

Five years ago I revealed that an unknown number of public figures were created as clones of the late great absurdist comedian Andy Kaufman. That article is linked here: Theory: We Are All Andy Now.

This was a tremendous breakthrough. Without this knowledge, we would have been powerless against an army of Andys. It’s been difficult to get by even knowing that characters like Sarah Palin, Rob Ford, Fred Phelps, Julian Assange, and Keith Olbermann are clones of a legendary avant-garde prankster. The current Republican Party candidates for the U.S. Presidency are a clean sweep of 100% Andys. If we didn’t know that, our whole world would be a joke. I mean, think about it.

Two things came up this week that shed further darkness on the situation. I mentioned Steve Rocco, a local political character here, as an Andy. Since I hadn’t done enough research, I didn’t realize that the person commenting at the time about Andy’s death being faked was… Rocco himself. Not only is he an Andy, but his shtick encompasses “Andy Death Denier” along with Mafia paranoia, sunglasses and hat combo, and alleged ketchup theft. So this is a recursive Andy, a meta-Andy, or, scariest of all, a self-aware Andy clone.

Which leads to the next problem. Clearly there are both male and female Andys, and some of them have produced children. Has anyone considered the potential impact of a generation of half-Andys? And if two Andys mate, what happens then?

There’s been talk about a limit to the absurd. Could we have reached the state in human civilization where that combination of meaningless narcissism, absurd behavior, and destructive charisma has peaked? I think not. The second generation Andys are coming. Like the physicists of the 19th century, we are about to be jolted into a new age of Quantum Andys, in which the overwhelming confusion and horror of public life turns us all into Andy, one by one.

I’ve known all my life that Eugene Ionèsco was right about our world. And Rhinoceros has enough parallels with the last decade here already. But I had no idea we were all to be Andy. Who will be the last to go?

Hollywood Elegies, by Bertolt Brecht

I first heard these set to Hans Eisler’s music, as sung by Dagmar Krause on her wonderful record Supply and Demand. My favorite is the last one, “The Swamp”. It hits as hard as it did in the forties.

I
The village of Hollywood was planned according to the notion
People in these parts have of heaven. In these parts
They have come to the conclusion that God
Requiring a heaven and a hell, didn’t need to
Plan two establishments but
Just the one: heaven. It
Serves the unprosperous, unsuccessful
As hell.

II

By the sea stand the oil derricks. Up the canyons
The gold prospectors’ bones lie bleaching. Their sons
Built the dream factories of Hollywood.
The four cities
Are filled with the oily smell
Of films.

III
The city is named after the angels
And you meet angels on every hand
They smell of oil and wear golden pessaries
And, with blue rings round their eyes
Feed the writers in their swimming pools every morning.

IV
Beneath the green pepper trees
The musicians play the whore, two by two
With the writers. Bach
Has written a Strumpet Voluntary. Dante wriggles
His shrivelled bottom.

V
The angels of Los Angeles
Are tired out with smiling. Desperately
Behind the fruit stalls of an evening
They buy little bottles
Containing sex odours.

VI
Above the four cities the fighter planes
Of the Defense Department circle at a great height
So that the stink of greed and poverty
Shall not reach them

THE SWAMP

I saw many friends, and among them the friend I loved most
Helplessly sink into the swamp
I pass by daily.

And a drowning was not over
In a single morning. Often it took
Weeks; this made it more terrible.
And the memory of our long talks together
About the swamp, that already
Had claimed so many.

Helpless I watched him, leaning back
Covered with leeches
In the shimmering
Softly moving slime:
Upon the sinking face
The ghastly
Blissful smile.

Area Library To Remove Books, Librarians from Library

I rarely reproduce an article in its entirety, but as would say, the whole thing is a pullquote. I can’t come up to the challenge of annotating or responding. Instead, read:

Newport may close Balboa branch, open ‘electronic’ library
Instead, part of planned community center would be equipped with computer center, on-demand book orders.

NEWPORT BEACH — The Newport Beach Public Library is considering closing one of its four branches and outfitting a planned community center with everything that it offered — except the books.

At a meeting about the Balboa Peninsula’s Marina Park development Wednesday, city officials unveiled plans to close the Balboa Branch — which houses 35,000 items, including books, DVD and other materials — and to dedicate a portion of the Marina Park Community Center to an “electronic library.”

By eliminating books and librarians at the building, they hope to adapt to modern times and save money while providing residents services they’ll actually use. In the process, they would replace the library’s most iconic features with Internet connections.

“That caused me the most angst,” said City Manager Dave Kiff. “People identify [book] stacks with the library.”

But officials analyzed how its patrons use the branches and found that most come for a quiet place to study, to plug their laptops into work spaces and to use the Internet-connected computers. Few of them actually remove books from the shelves.

That’s especially the case at the Balboa branch, said Cynthia Cowell, library services director.

“They come specifically to use the computers,” she said. “We have a lot of electronic use of the library, and it’s getting bigger all the time.”

The new facility would have a 2,200-square-foot “Internet library” room with a central fireplace and a kiosk where patrons could order books to borrow using an online system. Some seats and tables would look out onto the bay.

“What we hope to accomplish,” Cowell said, “is to create a place where people want to come and be.”

If residents still want to get their book on the Peninsula, they could order it online from the other branches and pick it up at Marina Park. Instead of holding books behind a desk, the library would drop them off in individual lockers.

“A lot of people still want to touch a book, hold a book, smell it,” Cowell said. “The sensory experience is still very important to many of us.”

The new process would be similar to Netflix. Patrons could place orders from anywhere with an Internet connection: home, work, Marina Park, etc. The kiosk would also be equipped with video-calling software, similar to Skype. Patrons could speak face-to-(projected) face with a reference librarian who could help answer research questions and point them toward the right online resources.

Cowell said she anticipates some blow-back from people in the community, but downplayed the change in peoples’ library experience.

“It’s just the delivery method,” she said.

When Long Beach considered closing its downtown library in 2008 and opening a similar Internet library with pick-up capabilities, many in the community fought back. Some of them were from the Long Beach Public Library Foundation.

In Newport, the Friends of the Library may not have such a strong reaction.

Speaking for herself, Nancy Acone, a Friends board member and manager of The Friends Book Store, said, “You have to be open for change in the library, because you don’t want to be like the railroads and go out of business.”

Presumably, it would be cheaper to run the library without trained reference librarians, but Cowell said she hasn’t run the numbers yet. The City Council would have to decide what to do with the three full-time staff members at the Balboa Branch, she said, and whether closing it would eliminate additional work for other library staffers.

At older than 50 years, the Balboa branch and the adjoining fire station need to be rebuilt, city officials said. If this plan goes through, they would rebuild the station and possibly turn the library land into a park, Kiff said.

They’ve come to take my music.

I heard today that the Pogues were used in a Subaru commercial. Haven’t seen it. I hope it’s “Sally MacLennane.” This isn’t quite as bad/good as “Blister in the Sun” advertising fast food (BLURGH!) but it’s a little surprising.

My generation (I’m 45) is now the target of semi-random generational marketing. Many of us are established and have extra money (note: if you are in this group please contact me). We’re also dominating the marketing business itself right now, so the lazy ad person will remember what lit up the night in 1986 and think “that’s what will nail it!”

In this spirit I offer some suggestions to those who want to reach the semi-lucrative market of Gen X middle-aged people, those of us who aren’t $20K in debt with no house and chronic medical problems. For instance. Let’s move on.

Shipbuilding,” by Elvis Costello. A couple dancing slowly in the sunset on the deck of a ship somewhere in the Caribbean. “Is it worth it?” he sings, as he swings her around in his arms and she smiles upwards. V/O describes selling points, ad ends with Elvis returning to sing “we should be diving for pearls.”

Lost in the Supermarket,” by the Clash. Song plays as mopey 40ish housewife pushes cart around drab yet overlit market, looking at identical cans. Red tag catches her eye, prominently featuring supermarket loyalty card logo. She picks up a jar and smiles: it’s Goober, a delight of her childhood. Outro with slowing fading bassline and slogan on screen: FOUND.

I was going to put some reggae in here but that’s all been heavily prepped by Caribbean Vacation Culture and marijuana. On we go.

I Need Love,” LL Cool J. Middle-aged African-American professional guy driving his upscale SUV through traffic, frustrated. Everything goes wrong, traffic, drink spills on him, phone rings and it’s his jerk boss, etc. Finally arrives home to wife and kids who open door both holding Cokes, and handing him one. The three enjoy the beverage on the porch. Slogan on screen, “COKE” fades into “LOVE.”

Senses Working Overtime,” XTC. Attractive woman of a certain age clearly plagued by multiple allergies. Sneezing shot, eye rubbing shot, pulling back in terror from plate of food. OTC medicine introduced. Closing shot with happy woman enjoying some if not all of her sensuous experience in life.

“The One I Love,” R.E.M. Flower delivery. Not much else to say here.

I Will Dare,” The Replacements. Parallel shots of hopeful-looking man and woman of a certain age looking at computer screens, reading emails, on the phone, meeting. Clearly some sparks in the air, shared laughter, fade into new couple walking down the street away from camera. Logo and url of dating service.

and finally,

Debaser,” Pixies. 2015 Hyundai Andalusia minivan.